
Today we had our first morning in Kino. We woke up to a refreshing ocean breeze that was a welcome change from the swirling dust of Altar and the bustling city of Nogales. We are here to relax and reflect on the intense experiences of the past ten days, so after breakfast we broke off into our advisories and wrote in our journals. It was a time to process and get our feelings and ideas onto paper, as well as a time to gather our scattered thoughts into coherent beliefs. I don’t write very much at home, but I found myself writing three pages in a half hour. It was incredibly rewarding to have my experiences down on paper, because it helped me to let go of how difficult some of them were. After we wrote, each advisory came up with a symbol that represented the trip for them. The groups gathered together and shared what had been said and the symbols they had come up with.
Elissa’s advisory thought that one of the pieces of art on the wall made by Alberto Morackis summed up a lot of the issues and problems we had encountered. The piece had depicted a saguaro cactus with skulls underneath and the sun’s rays as knives beating down on the earth. We have all been blown away by the dangers that the immigrants willingly face. We have heard several times that, “It is better to die in the desert trying to feed your family than to stay at home and watch your family die of starvation.”
In Amir’s advisory, SooMi thought that that the flower that she made and gave to her homestay sister was very representative of the feelings she had about the trip. It was not the flower that made the gift special; it was the fact that she had put her own time into it. This was the same feeling I had had at the No More Deaths tent. It was not the glasses of water that we gave that made the deported immigrants happy; it was that we were there for them in the heat and dust to help.
Lauren’s advisory drew one of the crosses that we put on the wall as there symbol. ”. It had desconocido (“unknown” in Spanish) written across it. It was shocking since these are people that died in our country and some of them are still unidentified. As Dan said “They died without a name.” This was a reminder to all of us how terrible it is to die in the desert and not even have a name to be remembered by.
Andy’s advisory drew three symbols overlaid on top of each other: a dagger from an Aztec religious ritual to represent the sacrifices immigrants have to endure, the triple cross, that was hung in the CCAMYN building where people slept in Altar, to show how so many paths intersect within this issue, which is why it is not a black and white situation, and a single cross to show faith.
In the evening we loaded up in the buses and drove through the new age architecture of new Kino, and slowly made our way to the dilapidated concrete and tin casas of old Kino. It was very strange to see the differences. Avery said that new Kino really doesn’t feel like Mexico, and I agree completely. It is a perfect place to relax, but could easily be in coastal state in the U.S. There are no remnants of Mexican culture, architecture, or faith. Stray mangy dogs, and bicycle carts serving questionable clams and roasted fish swirl through the streets. We filled an entire restaurant with our group, and applauded the chef when all our food had been made.
We went back to the Prescott College station and went to sleep.
By Kelty and Noam













